Week 140: Planting A Sequoia, by Dana Gioia

The American poet Dana Gioia (b. 1950) wrote this on the death of his infant son. A beautiful, dignified, life-affirming poem.

Planting A Sequoia

All afternoon my brothers and I have worked in the orchard,
Digging this hole, laying you into it, carefully packing the soil.
Rain blackened the horizon, but cold winds kept it over the Pacific,
And the sky above us stayed the dull gray
Of an old year coming to an end.

In Sicily a father plants a tree to celebrate his first son’s birth –
An olive or a fig tree – a sign that the earth has one more life to bear.
I would have done the same, proudly laying new stock into my father’s orchard,
A green sapling rising among the twisted apple boughs,
A promise of new fruit in other autumns.

But today we kneel in the cold planting you, our native giant,
Defying the practical custom of our fathers,
Wrapping in your roots a lock of hair, a piece of an infant’s birth cord,
All that remains above earth of a first-born son,
A few stray atoms brought back to the elements.

We will give you what we can – our labor and our soil,
Water drawn from the earth when the skies fail,
Nights scented with the ocean fog, days softened by the circuit of bees.
We plant you in the corner of the grove, bathed in western light,
A slender shoot against the sunset.

And when our family is no more, all of his unborn brothers dead,
Every niece and nephew scattered, the house torn down,
His mother’s beauty ashes in the air,
I want you to stand among strangers, all young and ephemeral to you,
Silently keeping the secret of your birth.

Dana Gioia

Week 139: My Father’s Birthday, by Kathleen Raine

A sad poem, but turning most beautifully on one poignant image in its closing lines.

My Father’s Birthday

15 March 1880

He remained silent on many things,
In his last years, he could not speak of
To wife or daughter who had never shared
Memories or hopes nearest his heart. Only with children he could
Share the simplicity of receiving from God
With gladness what each day brought,
The morning sun, the task he never refused.
His month was windy March, when coltsfoot flowers
Open their bright disks to receive the sun, or close
Against the chill and cloud of a harsh season.
On my childhood my father shone like an early sun,
Who in his old age closed his rays against the cold
Climate of a loveless house.

Kathleen Raine

Week 138: A Birthday Rhyme for Roberta, by John Hewitt

A poem of marital bereavement, all the more effective for its restraint.

A Birthday Rhyme For Roberta

For ease of heart and mind
I estimate each stride,
and, lurching forward, find
the landmarks still abide
though senses be decayed,
blurred sight and muffled sound.
Yet yesterday I strayed
on acorn-gravelled ground
to find October true
by each diminished sense,
perpetually new
as grace or innocence.

But now not with me there
picking the coloured leaves,
was she I thought must share
the thistles and the sheaves
when this late harvesting
my husbandry may prove,
as she had shared the spring
and summer of my love.

John Hewitt

Week 137: Huesca, by John Cornford

John Cornford (1915-1936), son of the poet Frances Cornford, was a volunteer in the Spanish Civil War and wrote this most moving love poem to fellow activist Margot Heinemann shortly before he was killed on the Cordoba front, on or just after his 21st birthday. Its cadences have long haunted me: I admire its elegiac restraint, its complete lack of rhetoric or bravado.

Huesca

Heart of the heartless world,
Dear heart, the thought of you
Is the pain at my side,
The shadow that chills my view.

The wind rises in the evening,
Reminds that autumn is near.
I am afraid to lose you,
I am afraid of my fear.

On the last mile to Huesca,
The last fence for our pride,
Think so kindly, dear, that I
Sense you at my side.

And if bad luck should lay my strength
Into the shallow grave,
Remember all the good you can;
Don’t forget my love.

John Cornford

Week 136: Wall, by Norman Nicholson

I think any poet has to love drystone walls, those beautiful boundaries that snake across the fields and hills of our Cotswolds and north country like lines of some forgotten script. This is one of the best poems about them I know.

Wall

The wall walks the fell –
Grey millipede on slow
Stone hooves;
Its slack back hollowed
At gulleys and grooves,
Or shouldering over
Old boulders
Too big to be rolled away.
Fallen fragments
Of the high crags
Crawl in the walk of the wall.

A dry-stone wall Is a wall and a wall,
Leaning together
(Cumberland-and-Westmorland
Champion wrestlers),
Greening and weathering,
Flank by flank,
With filling of rubble
Between the two –
A double-rank
Stone dyke:
Flags and through-
stones jutting out sideways,
Like the steps of a stile.

A wall walks slowly,
At each give of the ground,
Each creak of the rock’s ribs,
It puts its foot gingerly,
Arches its hog-holes,
Lets cobble and knee-joint
Settle and grip.
As the slipping fellside
Erodes and drifts,
The wall shifts with it,
Is always on the move.

They built a wall slowly,
A day a week;
Built it to stand,
But not stand still.
They built a wall to walk.

Norman Nicholson

Week 135: The View From The Window, by R.S.Thomas

One of R.S.Thomas’s very best, I think.

The View From The Window

Like a painting it is set before one,
But less brittle, ageless; these colours
Are renewed daily with variations
Of light and distance that no painter
Achieves or suggests. Then there is movement,
Change, as slowly the cloud bruises
Are healed by sunlight, or snow caps
A black mood; but gold at evening
To cheer the heart. All through history
The great brush has not rested,
Nor the paint dried; yet what eye,
Looking coolly, or, as we now,
Through tears’ lenses, ever saw
This work and it was not finished?

R.S.Thomas

Week 134: Nothing Gold Can Stay, by Robert Frost

Until quite recently I had somehow overlooked this delicate short lyric in my well-worn copy of Robert Frost’s ‘Collected Poems’; it has since become one of my favourites. I guess we all have our gold – the vigour of our youth, first love, the infancy of our children – and indeed it does not stay.

Nothing Gold Can Stay

Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.

Robert Frost

Week 133: Dead Poets: Recalling Them In November, by Geoffrey Grigson

Dead Poets: Recalling Them In November

Friends, my friends of so much
Time gone, of languages
Brighter than mackerel,
It is beyond bearing that you are dead.

No, I bear it most days too easily.
But there are moments when a drop falls
And sends tremors over my bason, at 8 a.m.
When light comes up behind

Our hill and reveals flaws in the
Window-glass shaped like comets or
Skulls: to think of you warm, of you gone
Is a cold air all round me then.

So many. And in so many ways
Of course myself I mourn, my
Own ash thrown on to that
Frosty grey lawn.

Geoffrey Grigson

Week 132: Gone, by Carl Sandburg

I don’t know how far Carl Sandburg (1878-1967) thought in terms of gender politics – probably as a poet he just loved the individuality of people and things. But certainly in this poem he manages to reconcile male yearnings with a respect for feminine independence to achieve a balance perhaps not always to be found in the poetry of the past.

Gone

Everybody loved Chick Lorimer in our town.
Far off
Everybody loved her.

So we all love a wild girl keeping a hold
On a dream she wants.
Nobody knows now where Chick Lorimer went.
Nobody knows why she packed her trunk…
A few old things
And is gone,

Gone with her little chin
Thrust ahead of her
And her soft hair blowing careless
From under a wide hat,
Dancer, singer, a laughing passionate lover.

Were there ten men or a hundred hunting Chick?
Were there five men or fifty with aching hearts?
Everybody loved Chick Lorimer.
Nobody knows where she’s gone.

Carl Sandburg

Week 131: As I Walked Out One Evening, by W.H.Auden

It is possible to be irritated at the wilful obscurity of much of the early Auden but still to acknowledge that he was at least trying to do something different, and then when it worked the results were sensational. Had anything been heard before in English poetry quite like this mordant blend of folksong and nursery rhyme, where the words seem to dance to a ghostly tune that one can never quite identify?

As I Walked Out One Evening

As I walked out one evening,
Walking down Bristol Street,
The crowds upon the pavement
Were fields of harvest wheat.

And down by the brimming river
I heard a lover sing
Under an arch of the railway:
“Love has no ending.

“I’ll love you, dear, I’ll love you
Till China and Africa meet,
And the river jumps over the mountain
And the salmon sing in the street,

“I’ll love you till the ocean
Is folded and hung up to dry
And the seven stars go squawking
Like geese about the sky.

“The years shall run like rabbits,
For in my arms I hold
The Flower of the Ages,
And the first love of the world.”

But all the clocks in the city
Began to whirr and chime:
“O let not Time deceive you
You cannot conquer Time.

‘In the burrows of the Nightmare
Where Justice naked is,
Time watches from the shadow
And coughs when you would kiss.

“In headaches and in worry
Vaguely life leaks away,
And Time will have his fancy
To-morrow or to-day.

“Into many a green valley
Drifts the appalling snow;
Time breaks the threaded dances
And the diver”s brilliant bow.

“O plunge your hands in water,
Plunge them in up to the wrist;
Stare, stare in the basin
And wonder what you’ve missed.

“The glacier knocks in the cupboard,
The desert sighs in the bed,
And the crack in the tea-cup opens
A lane to the land of the dead.

“Where the beggars raffle the banknotes
And the Giant is enchanting to Jack,
And the Lily-white Boy is a Roarer,
And Jill goes down on her back.

“O look, look in the mirror,
O look in your distress;
Life remains a blessing
Although you cannot bless.

“O stand, stand at the window
As the tears scald and start;
You shall love your crooked neighbour
With all your crooked heart.”

It was late, late in the evening,
The lovers they were gone;
The clocks had ceased their chiming,
And the deep river ran on.

W.H.Auden