Week 69: Cha Till Maccruimein, by Ewart Alan Mackintosh

With much commemoration of the outbreak of the First World War in the air, I thought it would be timely to remember one of its lesser-known poets, the Scotsman Ewart Alan Mackintosh, killed at the battle of Cambrai in 1917. I think this poem, by its historical telescoping, gives the martial pride of those days its due while undercutting it with a sense of grim foreboding.

Cha Till Maccruimein
(Departure of the 4th Camerons)

The pipes in the streets were playing bravely,
The marching lads went by
With merry hearts and voices singing
My friends marched out to die;
But I was hearing a lonely pibroch
Out of an older war,
‘Farewell, farewell, farewell, MacCrimmon,
MacCrimmon comes no more.’

And every lad in his heart was dreaming
Of honour and wealth to come,
And honour and noble pride were calling
To the tune of the pipes and drum;
But I was hearing a woman singing
On dark Dunvegan shore,
‘In battle or peace, with wealth or honour,
MacCrimmon comes no more.’

And there in front of the men were marching
With feet that made no mark,
The grey old ghosts of the ancient fighters
Come back again from the dark;
And in front of them all MacCrimmon piping
A weary tune and sore,
‘On gathering day, for ever and ever,
MacCrimmon comes no more.’

Ewart Alan Mackintosh (1893-1917)

Week 68: The Ballad of William Sycamore, 1790-1871, by Stephen Vincent Benét

A romantic view of the Old West, that I liked for its free spirit when I first met it in a school anthology, and still retain an affection for despite the many revisionist texts that have come between. I am not sure that the poem’s chronology bears too close a scrutiny: if William Sycamore died in 1871 how did he get a letter about his youngest son’s death at the Little Bighorn in 1876? Ah well, call it poetic licence…

The Ballad of William Sycamore, 1790-1871

My father, he was a mountaineer,
His fist was a knotty hammer;
He was quick on his feet as a running deer,
And he spoke with a Yankee stammer.

My mother, she was merry and brave,
And so she came to her labor,
With a tall green fir for her doctor grave
And a stream for her comforting neighbor.

And some are wrapped in the linen fine,
And some like a godling’s scion;
But I was cradled on twigs of pine
And the skin of a mountain lion.

And some remember a white, starched lap
And a ewer with silver handles;
But I remember a coonskin cap
And the smell of bayberry candles.

The cabin logs, with the bark still rough,
And my mother who laughed at trifles,
And the tall, lank visitors, brown as snuff,
With their long, straight squirrel-rifles.

I can hear them dance, like a foggy song,
Through the deepest one of my slumbers,
The fiddle squeaking the boots along
And my father calling the numbers.

The quick feet shaking the puncheon-floor,
And the fiddle squealing and squealing,
Till the dried herbs rattled above the door
And the dust went up to the ceiling.

There are children lucky from dawn till dusk,
But never a child so lucky!
For I cut my teeth on “Money Musk”
In the Bloody Ground of Kentucky!

When I grew tall as the Indian corn,
My father had little to lend me,
But he gave me his great, old powder-horn
And his woodsman’s skill to befriend me.

With a leather shirt to cover my back,
And a redskin nose to unravel
Each forest sign, I carried my pack
As far as a scout could travel.

Till I lost my boyhood and found my wife,
A girl like a Salem clipper!
A woman straight as a hunting-knife
With as eyes as bright as the Dipper!

We cleared our camp where the buffalo feed,
Unheard-of streams were our flagons;
And I sowed my sons like the apple-seed
On the trail of the Western wagons.

They were right, tight boys, never sulky or slow,
A fruitful, a goodly muster.
The eldest died at the Alamo.
The youngest fell with Custer.

The letter that told it burned my hand.
Yet we smiled and said, “So be it!”
But I could not live when they fenced the land,
For it broke my heart to see it.

I saddled a red, unbroken colt
And rode him into the day there;
And he threw me down like a thunderbolt
And rolled on me as I lay there.

The hunter’s whistle hummed in my ear
As the city-men tried to move me,
And I died in my boots like a pioneer
With the whole wide sky above me.

Now I lie in the heart of the fat, black soil,
Like the seed of a prairie-thistle;
It has washed my bones with honey and oil
And picked them clean as a whistle.

And my youth returns, like the rains of Spring,
And my sons, like the wild-geese flying;
And I lie and hear the meadow-lark sing
And have much content in my dying.

Go play with the towns you have built of blocks,
The towns where you would have bound me!
I sleep in my earth like a tired fox,
And my buffalo have found me.

Stephen Vincent Benet

Week 67: Pietà, by James McAuley

A poem by the Australian poet James McAuley, 1917-1976, speaking with a sad clarity for those who never got a chance at life.


A year ago you came
Early into the light,
You lived a day and night
Then died; no-one to blame.

Once only, with one hand
Your mother in farewell
Touched you. I cannot tell,
I cannot understand

A thing so dark and deep,
So physical a loss:
One touch, and that was all

She had of you to keep.
Clean wounds, but terrible,
Are those made with the Cross.

James McAuley

Week 66: The Company of Lovers, by Judith Wright

Among the innumerable poems on the theme of personal extinction that occupy the territory somewhere between the bravura rhetoric of Yeats’s men who come ‘Proud, open-eyed and laughing to the tomb’ and the flat nihilism of Larkin’s great ‘Aubade’, one of my personal favourites is this bleak but loving piece from the fine Australian poet Judith Wright.

The Company of Lovers

We meet and part now all over the world;
we, the lost company,
take hands together in the night, forget
the night in our brief happiness, silently.

We, who sought many things, throw all away
for this one thing, one only,
remembering that in the narrow grave
we shall be lonely.

Death marshals up his armies round us now.
Their footsteps crowd too near.
Lock your warm hand above the chilling heart
and for a time I live without my fear.

Grope in the night to find me and embrace,
for the dark prelude of the drums begin,
and round us, round the company of lovers,
death draws his cordons in.

Judith Wright