Week 356: Adonis Blue, Yoesden Bank, by David Sutton

I don’t like to peddle my own wares in this weekly slot, but every so often I feel a twinge of guilt at doing nothing to assist the publisher who has so gallantly but imprudently invested in my work, so here is a fairly recent effort that just made it into my ‘Collected Poems’, for details of which see the ‘News’ page. Just in case anyone feels like ordering it through their library…

Yoesden Bank is a nature reserve in Buckinghamshire, not far from my home.

Adonis Blue, Yoesden Bank

Yes, I have loved them, just the way one loves
Unknowingly, until a thing is lost:
Peacocks, tortoiseshells, red admirals
Browsing buddleia’s sweet purple pastures;
Brimstones, woken by the year’s first warmth,
Dancing over bank and brambled ditch;
Once on a beach a fall of painted ladies
Like leaves from some fabulous autumn; orange-tips
And clouded yellows, but never till today
This one, with its wings like summer sky
Bordered with white cloud. It makes the day
Perfect: it distils, it gathers in
The whole of this chalk hillside hazed with flowers,
The hum of sun-warmed grass, the church below
Lost among trees – you’d say that some great artist
Had added to his canvas, Turner-wise,
One drop of purest colour, then stood back
Satisfied at last, his work complete.

David Sutton



Week 355: The Pardon, by Richard Wilbur

Another of the American poet Richard Wilbur’s elegant, compassionate poems.

The Pardon

My dog lay dead five days without a grave
In the thick of summer, hid in a clump of pine
And a jungle of grass and honey-suckle vine.
I who had loved him while he kept alive

Went only close enough to where he was
To sniff the heavy honeysuckle-smell
Twined with another odor heavier still
And hear the flies’ intolerable buzz.

Well, I was ten and very much afraid.
In my kind world the dead were out of range
And I could not forgive the sad or strange
In beast or man. My father took the spade

And buried him. Last night I saw the grass
Slowly divide (it was the same scene
But now it glowed a fierce and mortal green)
And saw the dog emerging. I confess

I felt afraid again, but still he came
In the carnal sun, clothed in a hymn of flies,
And death was breeding in his lively eyes.
I started in to cry and call his name,

Asking forgiveness of his tongueless head.
… I dreamt the past was never past redeeming:
But whether this was false or honest dreaming
I beg death’s pardon now. And mourn the dead.

Richard Wilbur

Week 354: The President Sang Amazing Grace, by Zoe Mulford

In the week following yet another all too common event in the United States, the words of this song by Zoe Mulford, written after the Charleston church shootings in 2015, seem to go to the heart of the matter without fuss or frills. The song has been covered by, among others, Joan Baez and can be found on her album ‘Whistle Down The Wind’. The President in this case is Barack Obama, not to be confused with the present incumbent.

The President Sang Amazing Grace

A young man came to a house of prayer
They did not ask what brought him there
He was not friend, he was not kin
But they opened the door and let him in

And for an hour the stranger stayed
He sat with them and seemed to pray
But then the young man drew a gun
And killed nine people, old and young

In Charleston in the month of June
The mourners gathered in a room
The President came to speak some words
And the cameras rolled and the nation heard

But no words could say what must be said
For all the living and the dead
So on that day and in that place
The President sang Amazing Grace
The President sang Amazing Grace

We argued where to lay the blame
On one man’s hate or our nation’s shame
Some sickness of the mind or soul
And how the wounds might be made whole

But no words could say what must be said
For all the living and the dead
So on that day and in that place
The President sang Amazing Grace
My President sang Amazing Grace

Zoe Mulford

Week 353: Indifference, by G.A. Studdert Kennedy

Geoffrey Anketell Studdert Kennedy (1883-1929) was an Anglican priest who served in the trenches as a chaplain during the First World War, and was known as Woodbine Willie from his practice of distributing cigarettes along with spiritual comfort to the troops. I suppose you would call Studdert Kennedy a skilled versifier rather than a poet, and yet it seems to me that this poem makes a point that you don’t need to be a believer to find interesting, and makes it quite clearly and movingly.


When Jesus came to Golgotha they hanged Him on a tree,
They drave great nails through hands and feet, and made a Calvary;
They crowned Him with a crown of thorns, red were His wounds and deep,
For those were crude and cruel days, and human flesh was cheap.

When Jesus came to Birmingham they simply passed Him by,
They never hurt a hair of Him, they only let Him die;
For men had grown more tender, and they would not give Him pain,
They only just passed down the street, and left Him in the rain.

Still Jesus cried, “Forgive them, for they know not what they do,”
And still it rained the winter rain that drenched Him through and through;
The crowds went home and left the streets without a soul to see,
And Jesus crouched against a wall and cried for Calvary.

G.A. Studdert Kennedy

Week 352: From ‘Paradise Lost’, by John Milton

One of the problems for modern readers with Milton’s ‘Paradise Lost’ is that Satan doesn’t actually seem to be that bad a chap. He is not shown as espousing, still less committing, any of the things that seem particularly evil to us: torture, genocide, child abuse – he doesn’t even run through a cornfield. All he seems to do is encourage a spirit of enquiry in mankind by extending ‘Nullius in verba’, the motto of what was at the time of writing the newly-founded Royal Society, to the word of God, which may seem to the modern mind a perfectly reasonable thing to do, especially when the said word is mediated through such an unreliable vehicle as man. Still, ‘Paradise Lost’ has its impressive moments. I like this passage from Book V where at the time of the rebellion in Heaven the angel Abdiel, possibly having written two speeches the night before, one weighing up the pros of rebellion and one the cons, decides to stick with God:

So spake the Seraph Abdiel, faithful found
Among the faithless, faithful only he;
Among innumerable false, unmoved,
Unshaken, unseduced, unterrified,
His loyalty he kept, his love, his zeal;
Nor number, nor example, with him wrought
To swerve from truth, or change his constant mind,
Though single. From amidst them forth he passed,
Long way through hostile scorn, which he sustained
Superior, nor of violence feared aught;
And, with retorted scorn, his back he turned
On those proud towers to swift destruction doomed.

John Milton

Week 351: From ‘Siwan’, by John Saunders Lewis

John Saunders Lewis (1893-1985) was a major figure in 20th Welsh literature. As a man and thinker he was controversial, an imperious intellectual and fiery nationalist whose rather odd blend of Roman Catholicism and Marxism did not appeal to many Welshmen. But that did not stop him being much admired as a poet and particularly as a dramatist, whose plays now form a staple of the Welsh theatre. ‘Siwan’ tells the story of the marriage between Siwan (Joan), an illegitimate daughter of King John, and the much older Llewellyn ap Iorwerth (Llewellyn Fawr, or Llewellyn the Great), the 13th century king of Gwynedd and eventual ruler of all Wales. In this speech Llewellyn reflects on his failure to articulate his love for his young bride, a failure that led to tragedy when Siwan was accused of a dalliance with a young Marcher lord whom Llewellyn then had hanged.

The translation that follows is my own.

Llywelyn: Gwleidyddiaeth oedd ein priodas ni, arglwyddes,
A rhyngom ni ‘roedd bwlch o chwarter canrif.
Wel, dyna’r arfer, mae’n sail i gynghrair
A gytgord gwledydd, cyd-odde, cyd-adeiladu.
Ond pedair blynedd wedyn, pan ddaethost di
Yn wyry i Eryri fel bedwen arian ir,
Fe droes fy nghalon i’n sysyn megis pe gwelswn y Greal;
I mi ‘roedd goleuni lle y troedit.
Ond mygais fy syfrdandod rhag dy ddychryn
A phan deimlais i di yma’n crynu yn fy mreichiau
‘Ddoluriais i monot ti a chusanau trwsgl
Na chwŷs cofleidio erchyll; ymgosbais yn daer
Fel na byddwn ffiaidd gennyt; bûm ara’ a chwrtais a ffurfiol;
A diflannodd dy gryndod; daeth y stafell hon iti’n gartref
A minnau’n rhan, nid rhy anghynnes, o’r dodrefn.
Felly’r addolais i di, fy fflam, o bell ac yn fud,
Gan ymgroesi rhag tresbasu â geiriau anwes;
Ond tynnais di i mewn i fusnes fy mywyd,
Trefnais fy nhŷ a’m tylwyth a’m teyrnas wrth dy gyngor,
A rhoi i’th ymennydd ysblennydd ehangder swydd.
Cofiaf y p’nawn y daethost oddi wrth dy dad
O’th lysgenhadaeth gynta’, ‘roedd fy mywyd I
Mewn perig’ y tro hwnnw. Pymtheg oed oeddit ti
A Dafydd dy fab prin ddeufis. Daethost adre
A’m heinioes i a thywysogaeth Dafydd
Yn ddiogel dan dy wregys. A’r noson honno
Ti a’m coflediodd i. ‘Doedd gen’ i ddim iaith
I ddweud fy llesmair; meistrolais gryndod fy nghorff; –
Ond wedi’r noson honno bûm enbyd i’m gelynion,
Cesglais Geredigion a Phowys a Deheubarth
A’u clymu yng nghoron dy fab, iddo ef yn unig yng Nghymru
Er gwaetha’r ddefod Gymreig, er gwaetha’r rhwyg yn fy nhŷ,
Mynnais gael ei gydnabod gan Frenin Lloegr a’r Pab
A chael gan y Pab gyhoeddi brenhiniaeth ddi-lychwin ei ach:
Hyn oll a bensaerniais, fy nheml ydoedd i ti,
F’addoliad i ti –

Siwan: Llywelyn, ‘wyddwn i ddim, ‘wyddwn i ddim.

Llywelyn: Pa les fyddai iti wybod? ‘Roedd mynydde’r blynydde rhyngom,
Mi ddeallais i hynny hefyd.
Gwleidydd wyf fi, ‘cheisiais i mo’r amhosib,
‘Roedd dy gywirdeb di’n ddigon.


Llywelyn: Lady, our marriage was political.
A quarter century, the gap between us.
Well then, so it goes: on such we base
The counsels and the concords of a country,
Together bear and build. But four years on
When you came to Snowdonia, a virgin,
Like a young silver birch tree in the spring,
My heart turned in me suddenly, as if
I had beheld the Holy Grail: to me
There was a light about you where you walked.
And yet I smothered my bedazzlement
Lest it should frighten you, and when I felt you
All of a tremble, held within my arms,
I did not trouble you with clumsy kisses
Nor sweaty fearful coupling; I held back
Lest you should think me loathsome; I was slow,
Formal, courteous. And so your trembling
Disappeared: this room became your home
And I a part of it, not too unwelcome.
I worshipped you, my flame, afar and mute.
I did not trespass on you with fond words
But shared with you the business of my life,
By your counsel ordering my household,
My family, my realm; I gave your mind
In all its splendour space to operate.
Still I recall the day that you returned
From your first embassy, back from your father.
My life then was in peril. Fifteen years
You were, and your son Dafydd just two months,
And you came home, my life and Dafydd’s kingdom
Safe beneath your girdle. And that night
You lay with me. I did not have the words
To tell my joy; I stilled my body’s trembling,
But from that night I was a holy terror
To all my enemies; I took Deheubarth,
Powys, Ceredigion; I set them
Like jewels in your son’s crown, to be his
Alone in Wales, in despite of Welsh custom
And despite of my own divided house.
Through me the King of England and the Pope
Acknowledged him; I had the Pope proclaim
His spotless lineage; all this I shaped
For you alone; it was my temple to you,
My way of worshipping –

Siwan: Llywelyn, I did not know, I did not know.

Llywelyn: What good would it have done for you to know?
Between us, like a mountain, lay the years.
I understood that too; a politician
I did not ask for the impossible.
Your loyalty was enough.

Week 350: Talking in Bed, by Philip Larkin

Ted Hughes said he liked all of Philip Larkin’s poems (which was generous of him, considering the rubbishing he himself got from Larkin) and he liked him the more the sadder he got.  I guess he may have particularly liked this one then, which has the core of desolation that one finds at the heart of so many Larkin poems, and expresses a sense of alienation and aloneness that strikes me as typically if by no means exclusively mid-twentieth century.

Talking in Bed

Talking in bed ought to be easiest,
Lying together there goes back so far,
An emblem of two people being honest.

Yet more and more time passes silently.
Outside, the wind’s incomplete unrest
Builds and disperses clouds about the sky,

And dark towns heap up on the horizon.
None of this cares for us. Nothing shows why
At this unique distance from isolation

It becomes still more difficult to find
Words at once true and kind,
Or not untrue and not unkind.

Philip Larkin