One more on the theme of lost love, this time from the quietly effective Elizabeth Jennings (1926-2001), who favoured a poetry of plain statement charged with deep emotion that, when it works, I often find more appealing than much showier stuff.
It was what we did not do that I remember,
Places with no markers left by us,
All of a summer, meeting every day,
A memorable summer of hot days,
Day after day of them, evening after evening.
Sometimes we would laze
Upon the river-bank, just touching hands
Or stroking one another’s hands with grasses.
Swans floated by seeming to assert
Their dignity. But we too had our own
Decorum in the small-change of first love.
Nothing was elegiac or nostalgic,
We threw time in the river as we threw
Breadcrumbs to an inquisitive duck, and so
Day entered evening with a sweeping gesture,
Idly we talked of food and where to go.
This is the love that I knew long ago.
Before possession, passion and betrayal.
It’s marvelously bookended by Week 23: One Flesh, by Elizabeth Jennings.
It’s beautiful: exquisitely crafted, perfectly judged, subtly emotional. What an object lesson in how to write poetry!